Call for Submissions

School of Public Pedagogies — Contexts, Collectives and Action

Wednesdays, 10.00am-12.00pm (AEST)
October 14 – November 18, 2026

The Public Pedagogies Institute is inviting submissions to present at our 2026 online seminar series: Contexts, Collectives and Action.

The theme for the series is Collectives, both in practice and through representation. What do collective formations offer the public as a way of organising? What are the elements that make up a collective? What are the challenges in actualising collectives and what are the hopes generated through imaginings?  

If you are interested in hosting a session as a part of the School of Public Pedagogies, the seminars will take place online once per week on Wednesdays – beginning Wednesday, October 14 through to Wednesday, November 18.  Each session will be two hours with two people taking carriage of an hour each. The time is 10.00am-12.00pm (AEST).

Contributors will also be invited to submit an abstract for a forthcoming issue of the Journal of Public Pedagogies. 

Please send your proposals to Karen.Charman@vu.edu.au by Monday August 24.

Notes on Collectives

We recently invited members of the Public Pedagogies Institute to submit some notes on collectives to stimulate ideas for the upcoming seminar series, which we have provided below.

The term ‘collective’ as an organising principle has a long history.  Associated with political groups and informed by ideas of egalitarianism, collectives offer another way of undertaking ‘work’ that is informed by egalitarian principles and enacted in ways that are non-hierarchical. By their nature to be egalitarian and non-hierarchical they must interrogate their own composition to address power dynamics and to establish the terms through which they will work. Democratic imperatives in education (Freire 1971, Dewey 1990) are closely aligned with collectivist modes in that there is an aim on behalf of the educator to bring students together to be active participants in both the school and ultimately in the broader society. They also provide fertile ground for questioning, advocacy and reassessing shared values in perpetuity.

Collective plurality is also a condition for political and philosophical realisations (Arendt 1952). Feminist collectives have formed at different times in history in an ongoing challenge or dismantling of patriarchy to address the needs of women. Worker’s collectives have initiated structures whereby profits are shared that challenge the quintessential concept of self-interest in capitalism. Collectives constitute ways of imagining that move us beyond what we now term as neo-liberalism. Larger ways of organising societies have been illustrated through configurations of collectives whether this be in practice or through representation in film, fiction or theatre such as French film makers of the 1930’s, Socialist Realist writers of the same era alongside the ‘New Theatre’ in Australia. More contemporary iterations are collective arts groups who work to realise projects in public settings as well as collectives that meet together to generate social change.

Some community and participant-led research also values the collective over either the individual or hierarchical structure, bringing the questioning of the political act of the distribution of power into the creative and empowering process. This is often done with the realisation that empowerment is not a gift that can be given by others but is act against oppression and is best facilitated by fostering and seeking out collectives, with shared values and experiences.

The idea of collective, collective action, and collectivity when looked from the perspective of a rebellion against the dominant hegemonic system very often tend to overlook the idea of the hegemonic as also the collectives of the individuals (who represent the same idea). The status quo or the shared, consensus values that inform our everyday lives are themselves governed by a kind of silent collective, There is a need for exploration of the meanings of what the term collective may entail. The idea of the collective and the ones which are rebelled against are not fragmented and are a result and part of the process of the same system. Each individual in a group/collective is a representative of complexities of ideas and a result of the processes exposed to different ideas and situations.

The idea of the circles is the representation of different groups of people working on different ideas as collectives they are also the representations of the different populations having different interests. As a result, each group is a set of different ideas and individuals with different interests and intentions. Hence a collective as not a homogenous group rather a mix of complexities of ideas, interests, connections, situations, geographies, demography, ideologies, and temporality. 

Therefore, there is a need to explore the idea of collective from different perspective of being; 

1) Positive vs negative: how one defines positive and negative is also as situated in the positionality of the individual, the temporal situation and the larger idea of society in relation of what is excepted, not excepted, ideas of equality, justice, equity and access);  

2) Existence of hierarchies: the collective actions as lead by people, individuals, or groups. The constitution of groups as also hegemonic powers and people, and may have hierarchies within a group; 

3) Intentional and organic: how different groups are formed: just as a result of being situated in a space or as a result of intentionally working for a cause and taking actions (irrespective of whether people like or dislike, agree with each other on some idea and situation), the idea of people working together as a result of the intentionality of the state or institutions; 

4) Ephemeral: the groups may come together and dissolve over time with different reasons; 

5) Process (constant change, evolution and connected progression, and circling back to the same idea and not necessarily always in a linear form at times in an entangled and nonlinear form): the ideas of the different groups may evolve, dissolve, and change with time and as result the formation of collectives also lead to further bifurcations, change in groups, and formation of different groups. 

There is also the shadow side of “collectivity”. We should bear in mind that as other concepts/terms in social organisation have been abused (such as republic), Collective has an unhappy history; it was hi-jacked during the Russian communist revolution. Collectives were ” state-controlled agricultural enterprises created by forcing peasants to pool their private land, livestock, and equipment.”  This was partly to wipe out rich enterprising farmers, the kulaks. This shadow side of collectives occurs in more contemporary times in community development where social movements can just as easily be seen to be on the evil side of the equation. Terrorist or Fascist groups use similar techniques of community organising as does community development but in the case of terrorist or fascist groups can’t be called community development because they are lacking the Human Rights foundations. So, values are fundamental to understanding collectivity and collective work in community development. The work cannot be separated from the values. That’s why process is important and why reflection is important. The phenomenon of group think, group bullying, group shaming, group scapegoating are interesting experiences of the dark side of collectivity. The common environmentalist cliche evokes collectives “Think globally, act locally” signals the importance of collective action at local levels. So, there is the possibility of the relevance of collectives to social and other circumstances on the ground. 

Lastly collective memory—instances of history that have been memorialised or in more recent times contested.  The dismantling of monuments; social history museums and the work Monument Lab https://monumentlab.comall attest to a reconsideration of collective memorialisation.  The most recent special issue of the Journal of Public Pedagogies (no 8 2026) is focussed on the public pedagogical formations of history. One of the prompts for this issue was what pedagogical responsibilities do we as communities have to bring a public into a relationship with the past and what might the public contours of this relationship look like?

Public Pedagogical Formations of History

An online seminar series presented by the
Public Pedagogies Institute

March 7 – April 4, 2025

Fridays 10.00am – 12.00pm (AEST)

To register go to: https://www.trybooking.com/CZGIV

Seminar Program Schedule


Seminar Week 1  Friday, March 7

Exploring the potential of street art to counter misrepresentations and invisibility of Indigenous women and girls in Canadian
mass media
Dr Anna Rodrigues

Walking and talking with/in place: Socially engaged public art
practices in Aoteara
Mikayla Journee


Seminar Week 2  Friday, March 14

An exploratory analysis of Malaysia’s hidden history in the
Public Sphere
Michelle Low-Shamir, Adam Mathews, Kevin Myers

African Diaspora: Preservation of Culture and Memories, and
Identity Projects in Australia
Charles Mphande, Magang Reech, Konker Malual


Seminar Week 3  Friday, March 21

Remembering the absent ones, remaking publicness
Timothy Martin

The Desirous Public: Public Pedagogy and the Gravity of History
Jake Burdick, Mahreen Mamoon, Ralph McCoy


Seminar Week 4  Friday, March 28

The Needle in The Ego Era: A History
Scott Welsh

Public pedagogies and the memory of the recent past: Experiences with theatre in Michoacán-Mexico

Yuri Páez, Inés Dussel


Seminar Week 5  Friday, April 4

Pragmatically prisming public pedagogies: how conscious reflæXion can lead to eco-psycho-social justice and enhanced
wellbeing (workshop)

Amir Tatai 


Click here to view seminar abstracts

Call for papers: Public Pedagogical Formations of Histories

The Public Pedagogies Institute invites proposals for a forthcoming seminar series on the Public Pedagogical Formations of Histories.

The field of public pedagogy is still relatively new and emerging but has much to offer in how education is enacted. As a discipline public pedagogy looks to instances of learning and teaching outside of formal educational institutions. This includes but is not limited to spaces recognised as sites of informal learning. However, this does not indicate a binary, but rather porous moments where the contours of history are mitigated by public memorialisation, vigils, or other forms of representations. What are the pedagogical affordances and limitations of these respective representations of histories? Public pedagogy recognises the speaking subject in the instances of those who occupy the public realm and contribute to a public understanding of histories.

This seminar series draws on the field of public pedagogy and the educational affordances in the consideration of public memory and public history. It brings together presentations that examine both the relationship between sites of informal learning and the past, and that examine the histories of learning and teaching outside of formal education institutions.

  • How might history be informed by a public pedagogical framing?
  • What are the histories of learning and teaching outside of formal education institutions?
  • How might approaches to public pedagogies benefit from engagement with the history ofeducation?
  • How is the past remembered and in what ways is the past carried forward in the public realm?
  • What pedagogical responsibilities do we as communities have to bring a public into a relationship with the past and what might the public contours of this engagement look like?

This seminar series will be held via zoom and will run on a Friday Australian Eastern Standard time 10.00am—12.00pm beginning the 7th of March and concluding on the 4th of April 2025. If you would like to present as a part of this seminar series, please send a proposal no later than January 31, 2025, to Karen.Charman@vu.edu.au.

Seminar presenters will be invited to submit their paper to be published in a forthcoming edition of the Journal of Public Pedagogies.

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Recommended reading in the field of public pedagogy:

Biesta, G 2012, ‘Becoming Public: Public Pedagogy, Citizenship and the Public Sphere.’ Social and Cultural Geography, vol 13, no 7, pp. 683-697.

Burdick, J, Sandlin, J and O’Malley 2014, Problematizing Public Pedagogy, Routledge.

Charman, K and Dixon, M 2024, Theorising Public Pedagogy: The Educative Agent in the Public Realm. Routledge.

Charman, K and Dixon, M 2022, Theory and Methods for Public Pedagogy Research, Routledge.

Charman, K, Dixon, M, Bellingham, R Thomas, M and Cooper, J 2017, ‘Educational Consciousness: Breaking Open the Category of Knowledge in Footscray’, Journal of Public Pedagogies, vol 2, pp. 54-63.

Sandlin, JA, Schultz, B and Burdick, J 2010 The Handbook of Public Pedagogy: Education and Learning Beyond Schooling. Routledge.

Intergenerational Maps Project

This project is based around drawing together older, longer term residents with younger, newer residents in a local area they share.

Prior to the COVID pandemic, Gallery Sunshine Everywhere acquired funding from Brimbank Council and implemented the project in Sunshine, a suburb in Melbourne’s west. A report is available in the Projects section of www.gallerysunshine.com.

In 2019, Gallery Sunshine Everywhere joined with the Public Pedagogies Institute in a successful grant application to Moonee Valley Council to run a similar program in Flemington. 

With the various lockdowns in Melbourne, demolition of the Flemington Community Hub, the proposed location for the project, relocation of the Hub’s activities to other community settings, continuing preferences for online rather than in person activities along with staffing changes and considerable changes to the original plan, the Intergenerational Maps Project faced several false starts. Finally, in late 2022, it was decided to embed the project in the afterschool program conducted at Debney Meadows Primary School by the Edmund Rice Foundation. 

Finally, we conducted three sessions with large numbers of children each afternoon, along with the Edmund Rice Foundation mentors who work each week with the children.

Dr Iffat Khatoon welcomed the children to each session and gave them an overview of the project.

On Tuesday afternoon, local historian, Sheila Byatt led a wonderful session, capturing the attention of the Grade 3-4 children with the horseshoes and eucalyptus leaves she brought with her and lots of stories about local birds and more. Visiting artist Rhiannon Thomas then took over with a lively artwork session with students drawing their favourite local buildings.

On Wednesday afternoon, former Flemington PS principal, Rotary member and local identity, Lesley McCarthy spoke with the Grade 5-6 children, outside in the sunshine (competing with the loud building noise adjacent to the school). Together they looked at photographs of buildings and important past local events Lesley showed and which were displayed along the school walls. These told stories of old buildings, early images of familiar roads and more. Subsequently, Rhiannon Thomas led the students in an art session and they produced work to be added to the work from the other two days to form a collage documenting the Intergenerational Maps Project.

On Thursday afternoon, I shared stories from “The Stopover that stayed” by Grant Aldous with the young children, had them guess what the handmade nails I showed them were, talked about  Ballarat’s Sovereign Hill and how those who had visited had travelled there. We compared their travel experience with that of the gold diggers, looked at replica shakedowns from those days created by artist Dr Flossie Peitsch in acknowledgement of the shelter sheds Caroline Chisholm built especially for women and children making their way to the goldfields. After I showed the group a photo of my favourite local building, Flemington Post Office, the children shared theirs and with Rhiannon’s guidance produced their contributions to the collage.

Maureen Ryan
Director, Gallery Sunshine Everywhere

Aseel Tayah

As part of the Public Pedagogies Institute 2022 conference Sometimes Connect, we are excited to announce an hour with Aseel Tayah, creator of Bukjeh.

Aseel Tayah is a Melbourne-based Palestinian artist, creative director, and cultural leader who uses her practice to advocate for artists of colour, mothers, children, and young people, changing the world, one project at a time. She has recently been described as “an unstoppable force in the Australian cultural landscape.”

Through the power of storytelling, Aseel’s artistic practice creates awareness and facilitates connection by humanising the experiences of people who have been displaced.
As such, her work is embedded in the community and is often highly responsive to current issues. 

During Refugee Week 2020, Aseel curated produced, and presented a series of live online discussion panels featuring national and international artists and cultural leaders. The series attracted more than 40,000 views and led to an invitation to participate in the inaugural TEDx Melbourne PluggedIn event where she was awarded Best Speaker.

As a creative director and installation artist, Aseel has a wide range of experience; international highlights include We Too Want To Play, the establishment of Palestine’s first network of toy libraries and Fingerprint of an Arab Girl, an annual event showcasing the talents and achievements of girls living under occupation.

In Australia, collaborations include unique intercultural experiences such as Lullabies under the Stars, an Arabic/First Nations work for children, and the participatory installation Bukjeh, exploring stories of home and being forced to leave it.

Aseel exemplifies the use of art and creativity to achieve social justice and is renowned for her kindness, optimism, and generosity. She also has an incredible singing voice which she uses to connect hearts and harvest hope.

This event will be a feature of Day Two of the conference.

Public Pedagogies Institute Conference
November 24 -25, 2022, Footscray, Melbourne

Register Here

Aseel Tayah

Conference Registrations Open

Registrations are now open for the Public Pedagogies Institute 2022 conference – Sometimes Connect.

ABOUT

The annual conference of the Public Pedagogies Institute. The theme of this year’s conference is Sometimes Connect which seeks to explore what constitutes connection, how can alliances be built, what are the affordances for social change and what are moments of discord? The conference will include presentations, panel discussions and workshops, with a range of opportunities for participation. 

The conference will take place over two days and attendees are welcome to attend on one or both days. The conference is free for current students and there is a reduced fee for low income earners.

DATE

Thursday 24 November – Friday 25 November 2022

LOCATION

Victoria University Polytechnic, Footscray Nicholson Campus
238A Nicholson Street, Footscray

Keynote Speaker

Marnie Badham, artist-researcher

With a 25-year history of art and justice practice in both Canada and Australia, Marnie’s research sits at the intersection of socially engaged art practice, participatory methodologies, and the politics of cultural measurement. Through aesthetic and dialogic forms of encounter and exchange, Marnie’s collaborative social practices bring together disparate groups of people (artists, communities, industry, local government) in dialogue to examine and affect local issues.

Her recent collaborations include a participatory public performance following extreme weather events in the Dandenong Ranges; public art commissioning development on Wurundjeri and Bunurong Country with Vicki Couzens; expanded curation projects on food-art-politics; and a series of creative cartographies registering emotion in public space in the Yarra Ranges (AUS), Kamloops (CAN), and Cape Breton Island (CAN). Her book The Social Life of Artist Residencies: connecting with people and place not your own is soon to be released.

Marnie is a Chief Investigator on the Australian Research Council Linkage Project Ambitious and Fair: towards a sustainable visual arts sector and contributes to industry standards on public art commissioning, artist residencies, and arts funding. She is Senior Lecturer at the School of Art, RMIT University. www.marrniebadham.com

Marnie Badham

Ped Talks


Hello and welcome to Pedtalks,  

This is the first in a series of podcasts presented by the public pedagogies Institute.

Ped Talks aim to contribute to the growing field of public pedagogy and interview artists, community educators and academics who identify with learning and teaching outside of formal institutions.

Our first interview is with Deb Bain King an artist who works in the west of Melbourne. 

Keynote speaker announced

The Public Pedagogies Institute is excited to announce Dr Marnie Badham as one of our keynote speakers for our 2022 conference Sometimes Connect.

Marnie Badham, artist-researcher

With a 25-year history of art and justice practice in both Canada and Australia, Marnie’s research sits at the intersection of socially engaged art practice, participatory methodologies, and the politics of cultural measurement. Through aesthetic and dialogic forms of encounter and exchange, Marnie’s collaborative social practices bring together disparate groups of people (artists, communities, industry, local government) in dialogue to examine and affect local issues.

Her recent collaborations include a participatory public performance following extreme weather events in the Dandenong Ranges; public art commissioning development on Wurundjeri and Bunurong Country with Vicki Couzens; expanded curation projects on food-art-politics; and a series of creative cartographies registering emotion in public space in the Yarra Ranges (AUS), Kamloops (CAN), and Cape Breton Island (CAN). Her book The Social Life of Artist Residencies: connecting with people and place not your own is soon to be released.

Marnie is a Chief Investigator on the Australian Research Council Linkage Project Ambitious and Fair: towards a sustainable visual arts sector and contributes to industry standards on public art commissioning, artist residencies, and arts funding. She is Senior Lecturer at the School of Art, RMIT University. www.marrniebadham.com

Marnie Badham

PPI Conference 2022

Public Pedagogies Institute Conference
November 24 -25, 2022, Melbourne, Australia

The Public Pedagogies Institute invites proposal that respond to our 2022 conference theme Sometimes Connect.  The intent of this theme is to explore alliances that afford change.  At present there is an ever present necessity to consider how ‘we’ can work together toward mutual issues of concern. The Institute recognises the urgency for change that is increasingly stymied in prevailing dominant institutions.

This conference extends the call raised by Burdick and Sandlin (Journal of Public Pedagogies 2021, p.18) “Anker and Felski (2017) state, “[r]ethinking critique can . . . forge stronger links between intellectual life and the nonacademic world. Such links are not simply a matter of capitulation or collusion but can offer a vital means of influencing larger conversations and intervening in institutional policies and structures” (p. 19). This collaboration, employing what Latour (2004) calls an emphasis on “matters of concern [. . .] whose import then will no longer be to debunk, but to protect and to care” (p. 232) might abandon the wages, antagonistic nature, and insular interests of academic critique towards a pedagogy of care. Similarly, Charman and Dixon (Theory and Methods of Public Pedagogies Research, 2021) argue that within the public realm there is the circulation of knowledge and authority made manifest in the educative agent. The educative agent is the public pedagogue. “We do not see public pedagogy as necessarily being about a particular kind of political agency as the very act of knowledge circulation out-side of the bounded discursive power of claimed institutional knowledge is itself broadly speaking political (Charman and Dixon p.34, 2021). Max Liboiron writes “there can be solidarity without a We. There must be solidarity without a universal We. The absence of We and the acknowledgement of many we’s (including those to which you/I/we do not belong) is imperative for good relations in solidarity against ongoing colonialism and allows cooperation’ with the incommensurabilities of different worlds, values and obligations” (Liboiron, Max. 2021. Pollution Is Colonialism. Durham: Duke University Press pp. 24-25).

Extending these prompts this conference seeks to explore what constitutes connection, how can alliances be built, what are the affordances for social change and what are moments of discord

Proposals may take the form of exemplars of practice, theoretical understandings of social movements both past and present, workshops or creative practice. The Public Pedagogies Institute works at the intersection of creativity, community education and theory.

Please note: the deadline has been extended to October 14, 2022. Submit a proposal to Karen.Charman@vu.edu.au

Interconnecting public, learning and research